Daisy Helmuth, The Rells, & Johnny
Conqueroo at Chuck’s Music (Dec. 5, 2015) – Performance Review
Charlie Grimes
AP Literature &
Composition
Ms. Whitman
Johnny
Conqueroo is a local “swampy blues-rock” band consisting entirely of high
schoolers, but do not be fooled by their age -- lead vocalist and guitarist
Grant Curless, drummer Wils Quinn, and bassist Shawn Reynolds have been making
waves in the Lexington music scene. Whether it’s scoring gigs at local joints
such as Willie’s Locally Known and Morris Book Shop, getting major play time on
local radio stations, or selling surprisingly high amounts of their debut CD’s,
Conqueroo’s striking talent has not gone unnoticed.
I
had the privilege of getting to see Johnny Conqueroo play at Chuck’s Music on
Southland Dr. this past Saturday, December 5, with their opening acts, Daisy
Helmuth and The Rells, beginning at 7:00PM. The experience was truly a treat.
Immediately upon entering the upstairs mini-concert hall (we’ll call it a
corridor) of Chuck’s, I was struck by the sheer number of people crammed
together, eagerly awaiting the performance. When it began, any semblance of
order almost immediately vanished, and the band’s energy filled the room. I
found myself; however, very intrigued by the powerful stage presence that
Conqueroo retained throughout the entire show.
The
band played a full hour-long set containing a variety of original songs, such
as “Night in Jail” and “Summer Blues,” as well as some mesmerizingly energetic
and creative takes on classic blues tunes. In general, the band’s instrumental
talent, especially Curless’ guitar, is beyond what one would imagine most
teenagers could do. His electric guitar cries, soars, and dives wildly, but I
will focus instead on the beautiful, simple poetry of his lyrics.
Conqueroo’s
original song lyrics often concern love and turbulent relationships. Curless
has a knack for songwriting that harkens back to Mississippi delta blues, with
musicians of the likes of Robert Johnson and Howlin’ Wolf. “Well I’m feelin’ so
dead now, but she’s doing so well now,” lamented on “Night in Jail,” a song
about the consequences of an abusive relationship. “You took my heart. I gave
my love to you, and you ripped it apart!” Curless sung over a moody guitar riff
on “Took My Heart”. While Conqueroo’s lyrics are not overly complex, they are
delivered with great emotional heft, giving them significantly more power when
experienced rather than read. It is, once again, hard to believe at times that
such a performance is coming from a group as young as Conqueroo is. The subject
matter of their songs is often mature and they were performed with incredible
focus and intensity at this venue. “Baby baby, where were you at, now? I knew
you were screwing behind my back now,” Curless shouted over only the sound of
Wils Quinn’s pulsing kick drum.
What
blew me away most, however, were Conqueroo’s heavy, energetic covers of classic
blues songs. Most notably, Son House’s “Grinnnin’ in Your Face,” a highly
influential blues tune from the early 1930’s. “Don’t you mind, people grinnin’
in your face? You know they’ll jump you up and down, they’ll carry you all
'round and 'round, but just as soon as your back is turned, they’ll be tryin’
to crush you down.” Conqueroo delivered these lyrics with such real anger and
enthusiasm, with everyone in the crowd watching and listening in amazement. The
group also performed “Smokestack Lightning,” another classic blues song by a
legendary artist, Howlin’ Wolf, and a nice acknowledge of the deep influence of
African-American blues on rock and roll. Occasionally the group toned down the
energy, especially on their performance of the song “Salad Days,” which
contains the memorable lyrics “As I'm getting older, chip up on my shoulder / Rolling
through life, to roll over and die.”
Ultimately,
the energy, lyrical delivery, and stage presence that Johnny Conqueroo has made
for a highly entertaining performance that left everyone in the audience,
including myself, in awe. Conqueroo’s very own bluesy song lyrics, amazingly,
stack up nicely against the lyrics of their legendary influences, and the
emotional depth with which they are delivered makes for a sonically diverse and
mature performance that far surpassed my expectations.
Rating: 4/5
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